Methawee Wangkham on flowers, Isan and a sense of place
The founder of Greenery Pantry on moving from interior design into floral art, looking closely at local materials and making work rooted in northeastern Thailand.
Methawee Wangkham, Thailand · Words by Flower Club International · 1 October 2026
Instagram: @maytaveewangMethawee Wangkham is an interior designer turned floral artist and the founder of Greenery Pantry, a floral and creative studio based in Thailand. Born and raised in Khon Kaen in northeastern Thailand, she draws on Isan culture, landscapes, traditions and everyday materials.
Tell us a little about you and your work with flowers.
I’m an interior designer turned floral artist and the founder of Greenery Pantry, a floral & creative studio based in Thailand. Born and raised in Khon Kaen, in northeastern Thailand, my work is deeply inspired by Isan culture, landscapes, traditions, and everyday beauty. I love bringing a sense of place and my own roots into the way I work with flowers.
How did you first get into flowers?
I first became interested in flowers through Ikebana during a trip to Japan. That experience sparked my curiosity about floral art, and what began as a simple interest gradually grew into a deeper fascination with flowers, their forms, and the way they can be used to express ideas and emotions.
What are you working on or interested in right now?
I’m currently exploring the relationship between flowers, local landscapes, and everyday materials, especially those found in my home region of Isan in northeastern Thailand. I’m interested in creating floral art and spatial installations that feel rooted in a particular place rather than simply bringing flowers into a space.
What does your creative process usually look like from the beginning of an idea to the finished work?
I usually start by observing — the space, the season, the materials, and what is happening around me. I collect fragments of ideas and materials, experiment with them, and let the work evolve rather than deciding everything from the beginning. I often know what I want to express, but allow the materials to tell me how it should look.
Which materials, flowers or techniques are you most drawn to at the moment?
I’m especially drawn to wild and seasonal materials, branches, grasses, leaves, seed pods, and anything with an interesting line or texture. I also love using unconventional and locally found materials, and exploring how they can be transformed through Ikebana and floral sculpture.
Where do you find inspiration outside the flower world?
Nature is probably my biggest source of inspiration, but I also find it in architecture, interior spaces, food, textiles, local crafts, and everyday life. Growing up in Isan has made me particularly interested in the relationship between landscape, culture, and the materials people use around them.
What is something flowers have taught you?
Flowers have taught me to pay attention to change. A flower can be beautiful when it is blooming, but also when it is fading, drying, or becoming something else. They remind me that beauty doesn’t always have to be permanent.
What is one piece of advice, knowledge or inspiration you’d like to share with other flower people?
Stay curious and keep looking around you. You don’t always need rare flowers or perfect materials to create something meaningful — sometimes the most interesting material is the one growing right outside your door. And most importantly, keep making things that feel like you.
“Flowers have taught me to pay attention to change.”
Photographs: Methawee Wangkham / Greenery Pantry
